a series of electro-vocal pieces realized in different occasions and settings in collaboration with sound artist Amir Bolzman.

A max patch controls 2,4 or 16 speakers and microphones programmed for differently timed delays. The piece weaves a net of micro vocal reflections in response to the live singing allowing an image of an ancestral memories and absent communities to arise. | premiered October 2014 for Maamuta in Jerusalem, and then re-created for various settings, most recently for a 5 speaker setting - at the Petach Tiqva Museum, performance curated by Hadas Maor and Bar Yerushalmi.

Duration varies.